Poems by Emily Dickinson, Series

Portada
Dodo Press, 2008 - 96 páginas
Emily Dickinson (1830-1886) was an American poet. She was born in Amherst and throughout her adult life she rarely travelled very far from home. Thought of as an eccentric by the locals, she became known for her penchant for white clothing and her reluctance to greet guests or, later in life, even leave her room. Most of her friendships were therefore carried out by correspondence. She was a prolific private poet, choosing to publish fewer than a dozen of her nearly eighteen hundred poems. Her poems are unique for the era in which she wrote; they contain short lines, typically lack titles, and often utilize slant rhyme as well as unconventional capitalization and punctuation. Her poems also tend to deal with themes of death and immortality, two subjects which infused her letters to friends. Her first collection of poetry was published in 1890 by personal acquaintances Thomas Wentworth Higginson and Mabel Loomis Todd, both of whom heavily edited the content. A complete and mostly unaltered collection of her poetry became available for the first time in 1955 when Poems by Emily Dickinson was published by Thomas H. Johnson.

Otras ediciones - Ver todo

Sobre el autor (2008)

Emily Dickinson was born in Amherst, Massachusetts on December 10, 1830. Although one of America's most acclaimed poets, the bulk of her work was not published until well after her death on May 15, 1886. The few poems published in her lifetime were not received with any great fanfare. After her death, Dickinson's sister Lavinia found over 1,700 poems Emily had written and stashed away in a drawer -- the accumulation of a life's obsession with words. Critics have agreed that Dickinson's poetry was well ahead of its time. Today she is considered one of the best poets of the English language. Except for a year spent at Mount Holyoke Female Seminary in South Hadley, Dickinson spent her entire life in the family home in Amherst, Massachusetts. She never married and began to withdraw from society, eventually becoming a recluse. Dickinson's poetry engages the reader and requires his or her participation. Full of highly charged metaphors, her free verse and choice of words are best understood when read aloud. Dickinson's punctuation and capitalization, not orthodox by Victorian standards and called "spasmodic" by her critics, give greater emphasis to her meanings.

Información bibliográfica